Monday 27 August 2007

Have you accepted Jesus as your financial investor?




A couple of weeks ago I read a book released by a woman named Tanya Levin. It was an account of her experiences in and out of Pentecostal "Empire", Hillsong. As a christian man who has been attending a church for the past 7 years or so I was already aware of who Hillsong were and my bias against them has quickly mounted (because what they represent is often contrary to what many other christian churches represent).

The first time I witnessed a Pentecostal church service it was late at night on a channel we only got on one tv due its odd wide-range reception (we picked up a rare community channel that broadcast random programs). Anyway this one particular time (I think my sister was sitting with me) I flicked it onto some Televangelist show. Everyone in this church was laughing; every single one of them. A man with a microphone was going around putting it up to people's mouths so we could hear that each person was hysterical.
My sister and I laughed for a bit (mostly cause one woman's laugh was particularly bad and infectious). After a while though it just freaked us out and I had to change the channel.
Afterwards I kept thinking, "what was the point in that?" This was before I became a christian and I still wonder what the point is.
What sticks out for me when these group outbursts occur, though, is that it's not a just a Pentacostal thing. And I'm highly doubtful that it comes from God. In 1978, Guyana, more than 900 members of People's Temple were killed with forced suicide methods by drinking Kool-Aide beverages laced with cyanide. Sure, laughing is not half as dangerous as forced suicide but it's the psychological state these large crowds are in in such situations that scares me.

And I suppose this is where my bias against a lot of Pentecostal churches began. Since then I now know that not all Pentecostal churches conduct themselves in the same way and I try to be less passionate i my rants. And the laughing church thing has become much less popular since the ninties, as well.

One church or business I have always been critical of, however, is Hillsong. I'd seen several documentaries and articles on this church. It seems lots of members over time have left, disenfranchised by its franchise.

The specific focus of my criticism is Prosperity doctrine, which, in a nutshell is an argument whereby giving more to the church will see you rewarded financially by God on Earth (which isn't substantiated by the bible, and in fact is contradicted in the bible with the well-known "it's easier for a camel to pass through the eye of a needle than it is for a rich man to pass into heaven" passage).
I won't delve into the ins and outs of the bible because the books and documentaries, reporters, everyone have pointed to these specific passages, which Pastor Brian Houston has either ignored or swept aside with a statement like "that doesn't apply to christians."
That one made me laugh. Who would it apply to, if not those who believe in the gospel?

Levin, as an author, extends her argument beyond Hillsong at times and this perhaps where her and I don't always see eye to eye. While I'm always willing to question bible passages and get to the nut of the gospel I always feel it's important to consider the whole bible. For example, when it comes to the representation of women in the bible she only questions the passages which best serve her argument, instead of nuancing her argument to include the opposition.

Nonetheless this brave woman has produced a challenge to one of the most successful churches in Australia.
She's not bringing down God or the followers of Christ, she's attacking the cold corporate approach Hillsong take when recruiting its members.
The bottom line for them is money, which means if you're a member of Hillsong you're treated as no more than a number, a consumer. It's much like a mall really. There's cushioned seats you can sit on to rest from your overwhelming shopping experience and the people behind the counter are friendly, and you might even like the repetitive music playing over the speakers, but it's all there because you're paying for it and it's artificial.

This book, called "People in Glass Houses," has been published at quite a cost for Levin, which is why I'm quicker to hear her out than those who have tried to silence her. For one thing, she (perhaps because of her reporter-style questioning) is no longer welcome to the church. Now the Hillsong head honchos might argue that Levin is a threat to the members of the church (and if they said this I might understand where they are coming from). But they give no explanation, just an awkward and authoritative term of reproach.
I did a search on Wikipedia and according to a clearly disgruntled person, Levin's a whole lot of crazy things short of being the devil.
This person has attempted to defame her on Wiki so much so that it's overblown and worthy of a good chuckle. The only true bits are her birth, occupation and that she was born in South Africa.

The person wrote: Tanya Levin (b. 1971) is an Australian writer and social worker.

Born in South Africa to a family heavily involved in witchcraft, Tanya moved to Australia in the 1980's joining Hillsong Church. She left soon after, as she found it hard to make friends in the movement. Most choosing to avoid her because of her open lesbainisim and satanic ritules streaming from years of drug abuse.

Her only book "people in Glass Houses" is not so much about the world famous and well regarded Hillsong Church but more a manifesto of beliefs from tanya levin. The publishers claim it in non-fiction. The truth is it really is fiction. The book is mostly retoric and twisted, missinterpreted philisophy. This can be found throughout the book with it's many refrences to bible teachings that are taken out of context.

She suspicously left out the passages about condeming the works of servents of God. This may be a deliberate omission as it would seriously challegng the pretext of her book. There is wide speculation she framed it around life with Hillsong church to sell more copies of her mad ramblings.

Hillsong Church.<[1]


[Original text correct on 27th August, 2007]

Note that the only reference given in the endnotes is for Hillsong Church. I particularly like the bit about the satanic rituals and drugs.
I was going to edit it on the Wikipedia website but it doesn't look like this is an option. I'm not sure if it's because Wikipedia doesn't want it to be edited or if I'm not a member of their site or what but the lack of references and the blatant lies that have gone overlooked annoy me. It's like a spelling error that you can't fix anymore because you've handed your assignement in already. And, to add insult to injury, this person has left their little piece on Levin rife with spelling errors!


Anyway I think it's the responsibility of christians to question what it is they believe. Not to break it down or disengage from the church as much as possible but learn from it and help others understand the bible too.
Christians are asked to worship God, not the church, and although I'm not sure where Levin stands in her faith at the moment it's clear in her book that we should be aware that not all churches' actions are motivated by God or the gospel but may be influenced more heavily by power and greed, among other things.

One show that really niches out an indepth analysis of the concept of God and Satan, and good and evil is Carnivale. Throughout the course of two series a humble man who wishes only to live a simple life under the radar (denying his ability to heal) is called to confront a powerful Methodist Church Minister, whose attempts to gain more power subvert his initial attempts to spread the gospel (through his ability to reveal to people and himself what others' "greatest sins" are).
It's a work of fiction but despite that and the fact that it's a period-piece series set in the 1930s, it works key arguments relevant to today's religious and political endeavours. And it puts forward a strong case for why church and state might be distinguished from one another. I highly recommend it for those who like progressive drama series, with engaging characters and storylines.

When Levin wrote her book I don't think her intention was to deter people from the gospel. Quite the opposite, I think. Levin wants people to be aware of what can go on in churches, particularly large economically successful corporate companies like Hillsong. Levin isn't the only one to speak out against Hillsong. I've seen documentaries on sbs of people who attend special bible studies to "relearn" the passages in the bible that have supposedly supported prosperity doctrine.
I've seen other members who have completely thrown their faith out, along with Hillsong, hurt and frustrated at the time they've wasted on something that ultimately hasn't rewarded them the way they were promised by the pastors.

Whatever the outcome, Levin offers a deconstruction of Hillsong. She answers the question "Why, when Hillsong have so many supportive attendees, is this conglomerate criticised, and what for?" And though she shares her own experiences she also illustrates her argument with literature from psychologists and the stories or testimonies of other parishioners.

Since journalists aren't allowed in the premises it's nice to hear the truth from someone who has spent plenty of time inside the tall walls of wealth.

You can read another written work of criticism.

Explore what others think on the Sydney Anglican forums.

Read Andrew Denton's interview with Tanya Levin.

And Father Bob interviewd Tanya Levin on 19th August this year if you'd like to subscribe to JJJ's Sunday Night John Safran and Father Bob podcast on all things religious.

Saturday 25 August 2007

Mosey Jose



The thursday before last my friend and I went to see Jose Gonzalez at the Factory Theatre in Enmore.

We'd never been to this venue before and it looked fairly new or recently renovated. Swanky place, plenty of space, relaxed vibe (which was just the mood we were in, since it was a midweek performance we were attending).

People bustled about, lay on the lounges lining the walls and sipped alcoholic beverages of sorts, waiting out the supporting act in anticipation of the real reason we'd all shown up: to see the Swedish folkster himself.
My friend and I took the chance to grab some seats in front of the stage, which were as cosy as the atmosphere.

Although we were only really interested in Jose, the supporting act were pretty good. I'd heard them before but I didn't realise they were playing and wasn't paying much attention. Overall they were a bit repetitive and meandering and I felt a bit "meh" about it as I sipped my L pound. Then the lead singer (who looked, to me, oddly like Andrew from Buffy) said "hi, we're Rand and Holland" and my ears perked up for the next song.
The rest of their set was decent. Their songs aren't all memorable but they know how to play and it seems to be a case of "less is more" with these guys. Either way, I'm always a little curious about experimental folk and over the set more and more of the crowd's attention was drawn (either that or more people were turning up for Jose).

R & H left without a "thankyou," "goodbye" or even are "We are Rand and Holland." Maybe they were shy. Everyone clapped awkwardly, unsure of the exit.

Soon after, Jose came out quietly and sat down. My friend and I were already prepared for the nature of his performance (since he's known for his introvertedness). He just started playing.
And man, the guy might be shy but his voice sure isn't! It soared through the speakers so crisply and everyone seemed to draw their breath all at once in awe.
The percussion of the strumming on the acoustic guitar took rhythm and entranced us all.

New songs and old were all captivating.

It was nice to be at a performance where we could just sit and listen. I usually get a bit tired of artists who need excitement and jumping and jiving during their show. I usually prefer to absorb it all quietly. This time I didn't stand out and look as stand-offish as I might in my stillness.
At one point two excited girls stood up, God love 'em. I immediately thought "uh oh, are we all gonna have to stand up now?" but luckily the majority were with me this time. "Are you guys gonna sit down...?" one punter behind them asked, and they embarrassedly sat back down, still hypnotised by Jose, and clinging to one another as if to prevent collapse.

Jose announced his "last song" before exiting. Much to our ammusement he couldn't find the exit (cause it was through the curtains and there was no clear break in them).

Naturally he took a while to return for the encore. He bashfully said something along the lines of "I was gonna surprise you by making my way around but I couldn't see... bumbling about in the dark..." Everyone briefly chuckled but cut themselves short, ready for his final few songs.

Out of the set I was pleasantly surprised to hear an acoustic version of "Send Someone Away" (the Embee song Jose contributed to a few years ago).

All in all it was a wonderful breathtaking performance and I can't wait to see him again at Falls!


Embee (feat. Jose Gonzalez) - Send Someone Away [buy]

Jose Gonzalez - Hints [buy]

Jose Gonzalez - Down the Line [buy]

Rand and Holland - Beanstalk [buy]

Wednesday 15 August 2007

Falls Festival Lineup Announced!


Cansei De Ser Sexy at last year's festival.

This year looks to end with a bang for me when I go to the Falls Festival with some old uni buddies. I've never been before and have wanted to go for years.

The first lineup has just been announced!

This year those lucky enough to purchase tickets will get to see:

Kings of Leon
Groove Armada
Paul Kelly
Black Rebel Motorcycle Club
The Waifs
Gotye
Built to Spill
Jose Gonzalez (who I'm seeing tomorrow night, incidentally)
The Go! Team
Blackalicious
The Mess Hall
Girl Talk
Kev Carmody
Whisky Go Gos
Neville Staple's Specials

It's definately a good start! The Go! Team seem especially cool live, judging from the live audio sets i've heard. It will be awesome!

If you're keen to go your best bet is to sign up for a free account and enter the Subscriber Ticket Ballot on the official website before August 20th.

Built to Spill - Carry the Zero [buy]

The Go! Team - Patricia's Moving Picture [buy]

Kings of Leon - Fans [buy]

Sunday 12 August 2007

Mercury Nominees



The Mercury Award Nominees for 2007 have been announced!

This is a pretty prestigious award and in the past winners have included Portishead (with their album Dummy) and Antony and the Johnstons (with I am a Bird Now). You can learn more about the awards here.

The line up for this year is:

Arctic Monkeys - Favourite Worst Nightmare

Basquiat Strings - Basquiat Strings

Dizzee Rascal - Maths and English

Klaxons - Myths of the Near Future

Maps - We Can Create

New Young Pony Club - Fantastic Playroom

Jamie T - Panic Prevention

The View - Hats off to Buskers

Amy Winehouse - Back to Black

The Young Knives- Voices of Animals and Men

I'm inclined to think Amy Winhouse will win this time round.

But I think the most worthy of the award, and easily my favourite definately have to be the two I haven't listed above:

Fionn Regan - The End of History

Fionn Regan - Black Water Child

Fionn Regan - Angler's Curse [buy]


Bat for Lashes - Fur and Gold

Bat for Lashes - Horse and I

Bat for Lashes - The Wizard [buy]


After I bought The End of History on a whim last year my love for it grew suddenly and it is still spinning on my stereo. I saw Fionn earlier this year at a small gig at the Basement in Sydney and he was amazing. This guy has a real talent for guitar plucking. Even for slow songs he manages to pick quickly away to the rhythm. And he writes strong songs too. This album is loaded with songs that work together as an album and on their own.

Which also goes for BFL. She invokes the sounds of Bjork, Tori Amos and Cat Power but still manages to instill her own unique voice. There's a nice conceptual theme running through as well. Natasha Khan (who is BFL) draws from her strict religious upbringing, where animals were sacrificed, including her pet goat. She did some travelling in Pakistan too so she seems to have adopted some of their culturalities too. In the video clip for "What's a Girl to Do" (which you can check out here) she's got this odd animal spiritual thing going on as she bikerides with people with animal masks on. And in the clip for "Prescilla" (here) seems to explore her childhood and religious upbringing a bit.

If I was to decide who got the Mercury award it would have to be one of these two remarkable people. I can't wait to see what more they have to share because these two albums also happen to be their debuts.

Soundtrack Sunday # 2



So this entry is a pretty obligatory one for Sunday but it's one of the best songs on Buffy and it closes Season 2 ("Becoming Part 2") sadly.

The story so far is this: Buffy had slept with her vampire-with-a-soul boyfriend, Angel, who, in turn, lost his soul because of the naughty sex they had. After an apocalyptic face-off Angel meets the pointy end of Buffy's sword and is sucked into hell. Buffy, who's had a falling out with her mother after a "coming out" announcement about her Slayerness, catches a Greyhound to L.A to get away from all the crazy and despairing and we're left wondering what this means for our heroine for the next season.

Sarah Mclachlan - Full of Grace [buy]

Friday 10 August 2007

Weekend Wind-down # 2



Image of South Beach taken from this site

I've been having computer troubles lately so sorry bout the lack of postage (particularly the supposed weekly "Soundtrack Sunday" mixes which haven't been happening since the first week).

Here's another mix to wind down the week.

Liam Finn - Second Chance [buy]

I've been waiting ages for Liam Finn's debut album to come out after hearing this song on JJJ. Of course Second Chance is the best song on the album but it's a strong first step in this guy's career. Being the son of Crowded House's Neil Finn he's sure to do good work (because he has his papa's voice).

Maps - Liquid Sugar [buy]

Really been enjoying the Maps music lately. Just good electronic stuff with its own unique style.

Sea Wolf - Middle Distance Runner
Not sure where to buy but there's a "coming soon" message in the store section of Sea Wolf's website.

Sea Wolf is a lesser known and understated artist. At first listen it seems like any other fair weathered acoustic guitar strumming music. Then you notice the strings in the background, the rhythm maintained not just by the percussion but also in the way the guitar strumming acompanies it, the vocals layered in melodies and harmonies...

Laura Jean - Our Swan Song [buy}

Laura Jean hails from Melbourne and her music slowly grows on you. I was initially disappointed that the album doesn't quite seem to match the strong pop of "I'm a Rabbit I'm a Fox." But I've noticed that since I've owned this album I've found myself putting it on when I'm in a quiet mood. Not as background music but as mournful, thoughtful music. Simple Nick Drake-esk songs drawn out with soft touch style. Makes her music more timeless.

Nick Drake - Day is Done [buy]

Speaking of Nick Drake, here's the first song of his I heard and it's one of the most beautiful songs he's written. No wonder he had such an impact on the world of folk.

Loney, Dear - Sinister in a State of Hope [buy]

Similar to another artist I've mentioned in the archives, Windmill, Loney, Dear is a guy you'd find in the subpop section (in fact, you can find him on the subpop website). He can sing at a very high vocal range, easily outflanking anyone who might wanna sing along (unless you're prepared to put on your whiney singing voice). Fortunately this guy can hit the high end without sounding annoying. But what I like most about this guy is that unlike a lot of subpop which is mostly negative he pushes more for playfulness and hope in his songs.

Sia - I Go to Sleep
Not available yet to buy or preorder but this song is also available as a live version on Lady Croissant, if you'd like to buy.

Sia's finally releasing another album! She just seems to get better and better in her song writing. This song is a Pretenders song, so forgive me for mentioned her song writing abilities without actually providing an example here (however, her you can find her song "Beathe Me" in the archives here). But here she really brings the piano out in the song, which promises more keys on the album (hopefully). That said, I've heard a few other songs from the upcoming album and piano or not she's written some outstanding songs! Can't wait to get it in my hands!

Friday 3 August 2007

Weekend Wind-down



Image of Bondi on ice taken from this site

A friend of mine at the start of July said something along the lines of "this is the worst month of the year." At first I thought that was an obscure thing to say but the last month has been a pretty hard one for myself and my friends. There's been plenty of bad news and illness to go around and it's a relief to see the month of July ploughed off and the last month of winter coming in now.
Thankfully there's plenty of quiet slow moody music to appreciate when your in a quiet slow and moody state of mind. As I bounce back from the monstrous headache I woke up with this morning I'm preparing myself for a weekend of recovery.

And I bring you a "Weekend Wind-down" mix of tunes.

Sufjan Stevens - Pittsfield [buy]

There's a reason why Sufjan Stevens is one of the biggest names on the blogosphere. Arguably my favourite artist ever. This is one of his lesser known songs but even so, you can see where his talent lies: he hits the simple melody so perfectly.

Aviator Lane - Lengthways We'll Run
Where to buy: I've seen this on sale at Red Eye Records in Sydney city but I didn't have money to buy it at the time. Not sure if you can buy it online anywhere but you can check out his official website

This guy, Michael Radzevicius, has ties with Art of Fighting and resides in Adelaide. He has played, supporting artists like Okkervil River and Dappled Cities Fly. I haven't heard much of his stuff but Lengthways is a smooth nice song. You can see the Art of Fighting influence (I think Marty Brown, of Art of Fighting, produces his music, but I'm not entirely sure cause it's been some years since I first heard this song).

Brian Campeau - Montreal

I heard this guy and this song from radio station JJJ's Unearthed website. There's a multitude of talented unknowns floating on this site and you can freely download songs they've legally allowed for your listening pleasure. The only drawback is sifting through all the music you might not like. But rest assured, you can listen before you download and add it to your itunes list.

Crowded House - Together Alone [buy]

This was a surprise gem for me. I was pretty young when I first heard Crowded House. I'm nearly 24 so it just goes to show how long their music has lasted. Anyway the point is the only album I'd owned was a best of. I recently bought a few of the albums cause they were on sale and this song really blew me away. It's not really their typical style but I think the vocals fit in really well. And, well, it reminds me of The Lion King. There, I said it. I'm sentimental. But take a listen and lemme know what you think. Would it be worthy of replacing, say, Pineapple Head, on the Recurring Dream best of album? Meanwhile, anyone else think the new album sucks?

Feist - La Meme Histoire [buy]

Thanks to Fabulist for this little number. It slowly grows on you, this track. It's not quite up there with the songs you'll find on The Reminder but when you're in the right mood it clicks well.

Midlake - Van Occupanther [buy]

This was one of my top albums last year. Somehow these Texans have taken the sound of Stills and Young and modernised it with a rocky edge. Just take a listen, it works well.

Shapes and Sizes - The Taste in My Mouth [buy]

Thanks to Open Your Eyes for opening my... ears to this song. Not sure if I like these guys or not yet. There's elements of their music I like which reminds me a little of The New Pornographers but often the experimentalism gets in the way. In this song they strip away the noise and just play. Beautiful vocals, beautiful song.

Bishop Allen - The Monitor [buy]

Pop melodies driven fast or slow, depending on the song, these guys have created an elusive sound which has caught up with me pretty quickly. Early on I didn't quite get the fnadom surrounding Bishop Allen but each song I've heard while shuffling my ipod has had me wondering "hmm, who is this?" and looking to see it's none other than the Bishops.

Modeselektor - The White Flash (feat. Thom Yorke) [buy]

I haven't heard Modeselktor before but this is one of the coolest songs spinning the blogosphere at the moment. And I can't resist Thom Yorke's vocals. Some of his best work (even better than a lot of songs on his The Eraser). This song is off an album to be released later this year. I'll have to take a closer look at these guys.

Wednesday 1 August 2007

Pushing "Dead" Stories and the Crafty Musician



Bryan Fuller, who brought us the brilliant and short lived story of the "lives" of grim reapers, Dead Like Me, now brings a new perhaps more subtley and carefully worked series called Pushing Daisies.

The story is basically this: From an early age a boy named Ned learns that he has an uncanny ability to bring the dead back to life with a touch. He also learns that if he touches that reliving thing again it will return to its dead form. Interesting and very specific story, which seems random, until they throw in the clincher. At age 19 Ned learns that his first crush/first kiss girl-next-door has been murdered. Having brought her to life, and not wanting to return her to her dead state, he (and she) cannot act on the desire to touch once more, under less morbid circumstances.

And the specificity of this plot is what I think will help carry this show through and hopefully maintain a longer life than DLM. If I were to make any criticism of DLM (and I criticise with much hesitation) it's that the creators tried to bite off more than they could chew. It would have been enough to focus on the life of George and her fellow grim reapers, but there was a nagging insistence to see what was happening in the lives of George's family, post-George's mortem.

Pushing Daisies isn't particularly funny but it's very cleverly written and the actors are very charismatic. The story seems to move quite quickly too, and I noticed a quickening in the way the actors spoke (somewhat resembling the charming rambling of the characters of Gilmore Girls).

At the moment you can download the pilot episode at all good torrent websites, programs and splinter download affiliates. I'm really looking forward to the next episode. I didn't mention before but Ned also investigates the way in which people died by bringing them back to life for a minute to ask them who their murderer is etc. It's going to be fun to see what directions Fuller takes these characters in.

Check out the extended preview for Pushing Daisies


Meanwhile, I was doing some music shopping on the weekend and I noticed a cd cover with reviews making obligatory comparisons to Elliott Smith and Led Zeppelin when I noticed the name, not of the artist but the title, Silver and Fire. Then I looked again at the artist's name which I'd skimmed: Martin Craft. Finally it hit me: Long Time Listener had finally released M Craft's album in Australia! This is a man whose music found me last year while I was trawling many a blog. And I can say the comparisons with Elliott Smith and Zeppelin are not entirely drawn outside the lines. His voice suits the style well and if nothing else you can't help but appreciate the variety of songs on the album. We're talking groove funk jams like "You are the Music" and "Sweets" down to lo-fi softly sung reflections like "Teardrop Tattoo" and pop gems like "Love Knows How to Fight."

I don't know a whole lot about Martin Craft except that he likes to write music about loneliness and coupledom. He is from Australia and was once part of a group called Sidewinder whose music I never heard. He now resides in London and is a talented musician.

Martin Craft - The Soldier

Martin Craft - Solitaire [buy]

You can hear more of Martin Craft's music at his myspace page

And his err, other myspace

And you can hear "Love Knows How to Fight" at Long Time Listener's myspace page

Bonus new tracks available at The Daily Growl's blog